It’s time for some Robert Mitchum and we know it. Check out these photos of the brilliant actor on the set of the famous “The Night of the Hunter” by Charles Laughton.
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Charles Laughton & Robert Mitchum on the set of “The Night of the Hunter” (1955)Lillian Gish, Shelley Winters and Charles Laughton have dinner together upon Gish´s arrival in Los Angeles to play a role in Laughton´s The Night of the Hunter.
Charles Laughton directs “The Night Of the Hunter”(1955).
George Hurrell is credited with creating the glamour image of Hollywood through his lush and beautifully illuminated portraits of movie stars. He set the new Hollywood standard for all that followed. Hurrell continued his portrait work until he passed away in 1992. Here are his shots of VERONICA LAKE.
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These photos were shot in 1941:
George Hurrell, Portrait of Veronica Lake in “I Wanted Wings”directed by Mitchell Leisen, 1941.
George Hurrell, Portrait of Veronica Lake in “This Gun for Hire” directed by Frank Tuttle, 1942.
Akira Kurosawa painting on set of Dodes’ka-den (1970). Unknown photographer. Thank you Tarun Neo for your contribution.
Daisaku Kimura, first assistant cameraman on Dodes’ka-den: I thought he would be demanding about getting the colors he wanted, but he said nothing about that. On Dodes’ka-den, what he did was to use color without relying on the film stock itself. He painted every object to be filmed. He didn’t trust the film stock. He painted everything. The sunset in the film was created on a soundstage. He told us to paint it however we liked, so I joined in. But when Kurosawa tells you to paint, it makes you nervous. He was an artist himself, so everyone was nervous. But he said not to worry, to be like kids painting picture books, so we went ahead.
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“For decades, Ron Galella (1931) was the world’s leading paparazzo, a tireless stalker with an Elmer Fudd laugh, so it was only natural that, when he jumped from behind a post with his Nikon flashing, the stars would respond to him. Often, they’d beckon coyly with a middle finger, or send over a bodyguard to suggest a tension-relieving service that he could perform on himself.” – The New Yorker
Al Pacino, October 18, 1979 by Ron Galella (Thank you Tarun Neo)
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Filmed in black and white and composed of thirty-nine languidly paced shots, Bela Tarr’s masterpiece “Werckmeister Harmonies”(2000) has this beautiful Japanese poster. Unknown artist.
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