A film is never individual work nor should it be reduced to one. Graphic designers who work on movie posters as well as credit sequences are more than mere accessories to great directorial works. Their task is to reduce the idea behind a film into one single image (that of the poster) without betraying it and then, they capture our attention during the credit sequence, as haunting or as comic as it is. Very few people have done this with more innovation than Saul Bass, back in the day when Photoshop was not available and censorship was tight.
“SAUL BASS (1920-1996) was not only one of the great graphic designers of the mid-20th century but the undisputed master of film title design thanks to his collaborations with Alfred Hitchcock, Otto Preminger and Martin Scorsese.
When the reels of film for Otto Preminger’s controversial new drugs movie, The Man with the Golden Arm, arrived at US movie theaters in 1955, a note was stuck on the cans – “Projectionists – pull curtain before titles”. Until then, the lists of cast and crew members which passed for movie titles were so dull that projectionists only pulled back the curtains to reveal the screen once they’d finished. But Preminger wanted his audience to see The Man with the Golden Arm’s titles as an integral part of the film.” (http://designmuseum.org/design/saul-bass/)
Bass also designed the credit sequence for Hitchcock’s “Psycho” & “North by Northwest”. Some of his other works are “Casino”, “Goodfellas”, “West Side Story”, “The Seven Year Itch” etc.
Here is a portrait of the artist, undated (and unknown photographer ) & some of his spectacular work on our favorite film posters. No introduction needed.
For another compelling film poster, this time from Poland, check out https://kinoimages.wordpress.com/2012/05/03/kanal-film-poster/